Detalhes, Ficção e gospel antigas
Detalhes, Ficção e gospel antigas
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“So the music that I use for those moments specifically are using the overtone series and these pitches which are also orbiting the audience in surround sound.”
Throughout the play, Ms. Milo embodies a wide range of emotions and personas that Mary Magdalene is associated with, including the agony of the crucifixion, the ecstasy of seeing the risen Christ at his tomb and the seductive dances of the supposed prostitute.
Este gravíssimo pecado de Davi nos ensina uma poderosa lição Derivado do a tristeza enquanto efeito do pecado, e a oportunidade de arrependimento qual esse sentimento representa.
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Purports to tell the story of the gospel from the perspective of Judas, the disciple who is usually said to have betrayed Jesus. It paints an unusual picture of the relationship between Jesus and Judas, in that it appears to interpret Judas's act not as betrayal, but rather as an act of obedience to the instructions of Jesus.
Mary Magdalene’s significance is also buried in quite a literal way; in 1896, a text that has since become known as the Gospel of Mary was discovered in Egypt, beneath the surface of desert sands.
Utilizing an immersive audio-visual experience that includes sights and sounds from the French cave that served as Mary Magdalene’s hermitage, recorded readings of the Gospels and live composition from the production’s co-creator Nathan Davis, the set design and live score contribute to a deeply contemplative atmosphere that seeks to bring the viewer to a state of transcendence.
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Gnosticism holds that Jesus was entirely "spirit", and that his earthly life and death were therefore only an appearance, not a reality. Many Gnostic texts deal not in concepts of sin and repentance, but with illusion and enlightenment.[62]
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Pages of the text appear behind Milo on stage, which places special emphasis on the controversial idea in the Gospel of Mary—one of the so-called “gnostic gospels”—that “there is no sin.”
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